Dana’s tiny house is one that uses many features from the mid-century and takes in influences from the orient. The use of brick and stone were quite familiar during the time for modern residences. Also, this house promotes a sense of solitude and seclusion with a front courtyard meant for relaxation in a private environment.
Dana’s includes many elements that I use over and over in architectural design such as multiple flat roofs at different elevations, clerestory windows just under the roof, and extensive outdoor space to supplement the interior space. As with the mid-century modern designers, I look to keep a close relationship between the indoors and outdoors.
The red metal screens that reside between the brick walls, not only breaks up the expanse of the wall, but also furnishes to lighten the heft of the barrier with enough openings to provide a look into and out of the courtyard space. Only one screen, which is also the gate, is not red in color, leading one to the front entrance.
One of the most intriguing and pleasurable aspects of mid-century modern houses is the adaptation of materials into modern forms. The inculcation of Chinese patterns into a modern structure lends itself to the international appeal of modernist structures. In fact, a great impulse among the modernists derives from the compulsion to boast at the technological advancement in the production and manipulation of materials, especially in large numbers. Unfortunately, the modernists only succeeding in satisfying this impulse with objects and furnishings in terms of widespread acceptance.
The main living area in this version is entirely open and serves space for the kitchen/dining area and the living room. The smaller version of this house has a pullout sofa for sleeping, with a wardrobe for clothes storage. The bathroom, behind the door that is seen in this picture, also has a wardrobe for more items.
In the above view, we see the alternative configuration of windows. In the first iteration, there are glass blocks above the large glass windows. We will see the alternative version, which is bigger and with a bedroom, after we see the smaller house.
Alternate Plan #2:
These two versions of a modern tiny house has many features usually reserved for much larger dwellings. With a courtyard in the front and a patio in the back, plenty of outdoor living is provided. The simple, basic design of the floor plans readily fit all sorts of changes in materials and colors. For instance, instead of brick, the front courtyard enclosure could be surrounded by a metal fence with wood screens of abstract patterns in place of the Chinese screens.
Peter’s Tiny House is one based on my favorite geometric shape, the square. Although a great part of this square belongs to the outdoors, this tiny house has a substantial feeling of space. The house occupies 469 sq. ft. of enclosed space with 256 sq. ft. of covered patio.
The floor plan consists of 3 distinct architectural areas: the living room and bathroom area, the kitchen and dining area and the bedroom. The living room/bathroom and the bedroom radiate from the central kitchen in rectangles, whereas the kitchen maintains a square mimicking the overall shape of the entire structure.
Each section maintains a different roofline, with the kitchen area the highest at 12 feet. The various areas gather further distinction by the use of different materials. The kitchen square brandishes a natural stone covering, while the rest of the house is sheathed in steel, except for the patio which introduces bleached wood siding. The use of different materials serves to accent different aspects of the architecture. The stone covering around the kitchen continues inside to accentuate the central nature of this room.
Diversion from the square occurs along the roofline of the bedroom and patio. It extends out to accommodate the modern column providing support. On the matter of the column, the pure blue of the column provides a color contrast to the warmer colors in the stone and to enhance the effect of the steel and bleached wood. It also provides a balance with the brighter colors inside, granting the blue part of the primary colors from the yellow on the walls and the red floor in the kitchen.
This design puts forth the strong idea that a modern look at the simplest geometric forms leads to an infinite number of possibilities. As can be seen in the main floor-plan, the foot print of this house forms a perfect square, which is hardly creatively restrictive. By switching sections of this design, by making the patio in the area of the bedroom and visa versa, for instance, one could free up space for a two bedroom house or a much larger bedroom. Even so, this house occupies less than 500 sq. ft., yet is quite spacious.
This is a little video I made of this house design:
This particular design is entirely open which, along with the tall ceilings, creates a feeling of spaciousness. Also, because of the simple open space inside, the activity areas are easily changed. However, because of the orientation of the entrance, the best layout generally is the one portrayed.
The floor plan is rather simple, but attempts an artistic flare with successive vertical rectilinear forms and a walk-through that brings one to the front door. The bathroom has a different roof line and compliments the recess that forms the entrance.
One of the nicest part of this design is the simplicity, and therefore, the ease at which this house could be constructed. Most likely the cost is low to produce this structure because of the lack of segmentation. The only separate space is the bathroom. Not only would this tiny house work as a main residence, but would work well as a comfy guest house. Another significant cost reduction would occur due to the use of standard items such as windows and doors. This little house maybe simple; yet it is artistically pleasing.